On a shelf in Ameera Nimjee’s study sits a small, garlanded statue of Nataraj, the Hindu god of dance. It’s an appropriate icon for an Indian classical dancer to own: Nimjee, assistant professor in the School of Music and the university’s first ethnomusicologist, is trained in Kathak, an Indian classical dance form known for its crisp, rhythmic footwork and evocative storytelling through hand movements and facial gestures. She is every inch the dancer: graceful, poised, expressive with her hands and eyes—even though she didn’t begin dancing until she was 18.