The School of Music is pleased to welcome distinguished guest artist David Geber for a chamber music masterclass. Geber will share his expertise in this free event open to the public as part of a three-day cello celebration! 

The School of Music is pleased to welcome distinguished guest artist David Geber for a cello masterclass and talk for high school performers. Geber will share his expertise in this free event open to the public as part of a three-day cello celebration! 

Final production of GERM 415's play! All are welcome. Play is in German with English supertitles.

CONN 330 / HIST 330 film screening of "Run Lola Run" (1998). All are welcome! Films are in German with English subtitles.

CONN 330 / HIST 330 film screening of "Phoenix" (2014). All are welcome! Films are in German with English subtitles.

CONN 330 / HIST 330 film screening of "The Lives of Others" (2006). All are welcome! Films are in German with English subtitles.

The Manikins: a work in progress, by Alumnus Jack Aldisert, is a piece of interactive theatre for two performers and you - its single audience member. Step into the office of Dr. Ligotti and experience a psychedelic thriller where dream and reality collide as you navigate the hidden agendas and supernatural techniques of the enigmatic staff. This is more than just reading or watching a story - this is truly entering it, being consumed by it. The line between the play and reality will bend and fade, and in the end it will all feel like a dream.

The Manikins: a work in progress, by Alumnus Jack Aldisert, is a piece of interactive theatre for two performers and you - its single audience member. Step into the office of Dr. Ligotti and experience a psychedelic thriller where dream and reality collide as you navigate the hidden agendas and supernatural techniques of the enigmatic staff. This is more than just reading or watching a story - this is truly entering it, being consumed by it. The line between the play and reality will bend and fade, and in the end it will all feel like a dream.

In this fast, fresh, and feminist adaptation of Aeschylus’s ancient trilogy of plays, Ellen McLaughlin invites us to question what justice looks like in action. In The Oresteia, each member of a family enacts a kind of violence intended to right a wrong. Instead, violence perpetuates violence and a cycle of harm makes each person “morally unrecognizable” even to themselves.

In this fast, fresh, and feminist adaptation of Aeschylus’s ancient trilogy of plays, Ellen McLaughlin invites us to question what justice looks like in action. In The Oresteia, each member of a family enacts a kind of violence intended to right a wrong. Instead, violence perpetuates violence and a cycle of harm makes each person “morally unrecognizable” even to themselves.