Subject Description
Spanish

SPAN 216 | (Wo)men of Maize: Food Cultures of the Americas

This course examines the importance of various food products in the development of the original civilizations of the American continent, and the impact that the crops imported by the colonizers have had on the destruction of human cultures and natural ecosystems. Crops native to the Americas (corn, potato, tomato, squash, beans, cacao) and those introduced during colonial times (sugarcane, rice, coffee, bananas), have defined the modern world's foodscapes and have shaped the culture, the history, the economy and the politics of countries around the world.

SPAN 319 | Documentary Film, Social Movements and Human Rights

This course explores the relationship between documentary film and social movements in Latin America and Spain. Students analyze a series of 20th and 21st century social documentaries in their respective historical and political contexts, paying special attention to the techniques utilized by filmmakers and audiences to intervene in the public sphere. In the process, they become familiar with the conventions of different schools of documentary filmmaking in Spain and Latin America as well as the rationale behind the use of specific film techniques.

SPAN 416 | One Hundred Years of Multitudes: A History of Latin American Film

This course surveys roughly one hundred years of Latin American film, from 1896 to the present, with a focus on feature-length narrative films. As its title suggests -- a riff on the title of Gabriel García Márquez's celebrated novel -- its overarching theme is the role film has played in shaping collective identities(national, racial, sexual, etc.) throughout the region. That is, this course tracks the development of film as a technology and as a form of artistic expression in Latin America, as well as the social, political, and economic realities that it represents and shapes.

SPAN 326 | One Hundred Years of Multitudes: A History of Latin American Film

This course surveys roughly one hundred years of Latin American film, from 1896 to the present, with a focus on feature-length narrative films. As its title suggests -- a riff on the title of Gabriel García Márquez's celebrated novel -- its overarching theme is the role film has played in shaping collective identities (national, racial, sexual, etc.) throughout the region. That is, this course tracks the development of film as a technology and as a form of artistic expression in Latin America, as well as the social, political, and economic realities that it represents and shapes.

SPAN 314 | Eugenics in Latin America

This course analyzes the relationship between art, race, science, and sexuality in Latin America. In particular, we study the development of Eugenics in Mexico in the first three decades of the 20th century. The course is divided into four sections: first, we explore the historical development of Eugenics. Then, we examine the history of Eugenics in Latin America. Next, we focus our investigation on the Mexican School of Eugenics.