This course provides an overview of the narrative and elements of the Western "classical" music canon from the Middle Ages through the 20th century. It covers the eras, composers, genres, styles, terms, and famous works that constitute the classical canon in the U.S.--a body of knowledge widely held to be the most important elements of music history for musicians to know about, study, teach, and perform. The course also deals with how, why, and by whom the canon was constructed in the U.S., a process in which hierarchical, hegemonic views of national identity, class, race, ethnicity, religion, and gender played significant roles. Students creatively and critically explore questions of how and why the canon continues to be powerful today, and how they want to engage with or resist it in their own lives as music-makers.

Artistic and Humanistic Perspectives
Prerequisites
MUS 233 and 234, or permission of instructor.
Course UID
006459.1
Course Subject
MUS
Catalog Number
435
Long title
Firing the Classical Canon