Director Latina/o Studies & Assistant Professor, Foreign Languages and Literature
Courses taught at the University of Puget Sound:
Made in Guatemala but born in San Pedro Sula, Honduras, I am a pipil-china centroamericana in mad love with life, asking, and learning, or as the Zapatistas in Chiapas best say it, caminar preguntando. Born in the midst of a U.S. sponsored war in Central America (July 16,1981 is my birthday for those of you who I know wonder) and having grown up in an economically devastated region (by the 1990s Honduras had already been entirely sold to U.S. and foreign corporate intere$t$), at the age of 16, I –like millions of other Central Americans– had no other option than to migrate to el norte. The “American Dream”, to say it in other words, came to me in the form of an imposition; it was the only path to follow if one wished not to endure the ever-escalating violence on the streets of my home-town (now the city with the highest homicide rate in the world!), the lack of educational and employment opportunities in a historically plundered region (a history that goes way back when the Spaniards arrived, or as the great Bob Marley would have it, “ever since, ever since”), and the extremities of poverty –in all senses of the word. Los Angeles was the place of destiny, of course (by the way, Juan Gonzalez has called the continued exodus of Latin Americans to the U.S. in the past and present decades, the “harvest of Empire”. Take my classes to find out more about this Empire and how it relates to hearing Mexican music every time you go near the kitchen of every restaurant around you. Trust me, there is a direct connection here).
By the late 1990s more than a million Central Americans were already living in LA, transforming the city’s social fabric for reals! How? Well, injecting some pupusa love to the largest taco-truck city in the world and also filling up some of LA’s hottest nightclubs with some Garifuna punta, Panamanian reguetón,and Salvi cumbia flavors! That’s right. No way was the recently arrived Central American community about to leave (the exodus of Central Americans to the U.S. had started in the early 1980s, when the worst of the massacres happened “down there”). Not only were we establishing community in the U.S. (a process far from easy), but cities like Los Angeles, San Francisco, and Miami represented an ironic safe-heaven to the war-torn, economically devastated countries in Central America (did I mention the U.S. funded and provoked those wars? The U.S. by the way, also provoked the inequalities that provoked those wars which in turn provoked the exile, which is now provoking me to write these (provoked) words in what I am hoping is a provocative sentence so that you can come and take a class with me one of these days. Provoked? I hope!) As I was saying, I arrived in Los Angeles in 1997.
Since then, it has been quite a ride achieving this dream of mine of becoming a professor. From organizing in the streets of LA to stop the ever-escalating fee hikes in education in this country, to participating in popular theater, to helping establish various cultural/social projects in the LA communities, to trying to figure out all the stupid prepositions in English (still working on them!) and English itself, to protesting all kinds of wars, to fighting for immigrant rights, to working in radio (Soul Rebel Radio baby!), to becoming a true and proud nerda, to Berkeley for the masters and then back to LA for the PhD, to my back getting all F’d up (won’t ask you to excuse my language) because of all the reading and writing involved in obtaining a doctorado (come talk to me if you are considering graduate school by the way, I have all kinds of tips for you on how to keep healthy and sane, well, only if you consider me sane…), and simply put, to accepting that life is plain hard and if one acquires a social/political consciousness, it is even harder; it is a never ending struggle. As the great poet Rubén Darío would have it: Dichoso el árbol, que es apenas sensitivo / y más la piedra dura porque ésa ya no siente, / pues no hay dolor más grande que el dolor de ser vivo / ni mayor pesadumbre que la vida consciente... (aaaaah… la poesía!)
Throughout my years in the U.S., I have been fortunate of having (or is it to have?) a beautiful family (and when I say “family” I mean it in the Latin American sense, as in familia/comunidad). Oh how I’ve met some beautifully-fierce people in my path! Because if there is one splendid thing about living in the United States, it is the people that you meet who have stories for days!: stories, mad knowledge, experiencia en la lucha, and vision (people who’ve been there, done that, and fought that. People who continue fighting “that”. Respect the elders peeps!). In brief, I am happy to be at the University of Puget Sound. I am happy to be here creating a Latino Studies Program, to be alive and to continue saying it loud and saying it proud. I am happy to be given a space to share what I know and continue learning, but most importantly, I am happy to have the opportunity to enable you to learn your own path so that you may struggle your own struggle (all struggles are interconnected at the end anyway). This is what teaching is about for me.
And what I do in the free time that I don’t have? Think, write poetry, think out a novel I will one day write, dance till the feet can’t dance no mo’ with my love Dennis Richards (you’ll find us in any kizomba, bachata, reguetón, timba, punta or merengue dance floor in the surrounding areas, join us!), read, read a lot, read some more, connect with others in the community or in a bar somewhere, contribute what I can to community projects, and sometimes, when I really don’t have any free time, what I do is pretend that it is not cold outside or that it rains in this northern frontier almost every day…
PhD University of California Los Angeles, 2012
Areas of Specialty: Contemporary Central American Cultural Productions and Literatures; Latina/o Literatures; Cultural Studies; Post-Colonial Criticism; Coloniality/Modernity and Border Thinking
MA University of California, Berkeley, 2007
Hispanic Languages and Literatures
BAs California State University Northridge, Magna Cum Laude, 2004
Hispanic Languages and Literatures BA
Chicana and Chicano Studies BA
Central American Studies
TEACHING AND WORK EXPERIENCE:
2012 – Present: Assistant Professor, University of Puget Sound
2009 – 2011: Lecturer, UCLA Anderson Graduate School of Management. Designed, implemented and taught Spanish language courses for the UCLA Anderson Graduate School of Management. Courses range from beginning to advanced conversational levels
2008 – 2010: Teaching Associate, UCLA Spanish and Portuguese Department. Taught Spanish-language levels 1, 2, 3, 4, 5, and 6, which include introduction to literature and advanced conversation
2007 – 2008: Teaching Assistant, UCLA Spanish and Portuguese Department. Taught Spanish-language levels 1, 2 and 3
2008 – 2009: Editor for Mester Academic Journal, UCLA Spanish and Portuguese Department
COURSES DEVELOPED AND TAUGHT IN LATINO STUDIES, U. of Puget Sound:
Latina/o America: A Critical Introduction to Latino Studies
Latina/o Literatures: Transgressive, Disobedient Enunciations from Latina/o America
OTHER COURSES, U. Puget Sound:
Literatura, teoría y práctica: Hacia una aproximación crítica al estudio de las literaturas latinoamericanas
Spanish 201: Intermediate Spanish
Contributions to Field of Study
ACADEMIC ESSAYS/INTERVIEWS IN BOOKS:
Forthcoming: Siu, Oriel María. “On Sparking the Latino Political Imagination: A Conversation with Presente.org Co-Founder and Writer, Roberto Lovato”. Gabriel Gutiérrez, ed. Latinos and Latinas: Risks and Opportunities. Greenwood 2014.
Saavedra, José Luis y Arturo Escobar (Compiladores). Santiago Castro-Gómez, Ramón Grosfoguel, Agustín Lao-Montes, José A. Lucero, Nelson M. Torres, Carlos Mamani Condori, Walter Mignolo, Fanon Reinaga, Oriel María Siu, Catherine Walsh. “Es tiempo de descolonizar nuestra academia”. Educación superior, interculturalidad y descolonización. La Paz, Bolivia: CEUB-PIEB, 2007.
Orona-Cordova, Roberta ed. “Are You Mexican?” Chicano/a Studies
Reader: A Bridge to Writing. Kendall/Hunt Publishing Co, 2003.
ARTICLES and INTERVIEWS IN JOURNALS
Forthcoming: “Inscriptions of Coloniality in the Central American Diaspora, or the Malaise of Diasporic Subjectivities: Surveying Dis-eased Textualities”. Studies in 20th and 21st Century Literature: Special Issue. Arturo Arias (Ed). Publication date: 2013.
Siu, Oriel María. “Interview with Héctor Tobar: On The Tattooed Soldier, the Times, Memory and Marginalities” Mester Journal. Issue No. 40, 2011.
Siu, Oriel María. “Suicidio y colonialidad en una novela de la diáspora centroamericana: Inmortales”. Mester Journal. Issue No. 40, 2011.
Meyer, Bethany; Siu, Oriel María; Venegas, Gabriela. “La visión femenina ante el amor, la naturaleza y la historia: Una charla con Gioconda Belli”. Mester. Vol. XXXVII. Los Ángeles, 2008.
Siu, Oriel María. “Reflexiones de una centroamericana sobre el encuentro intergaláctico entre los pueblos zapatistas y el mundo”. La voz. Berkeley, February 2007.
Siu, Oriel María. “Hacia una nueva aproximación a la literatura centroamericana: El tropo del transistmo en Dividing the Isthmus; Central American Transnational Histories, Literatures, and Cultures de Ana Patricia Rodríguez”. Brújula. Special Issue: Central American Narratives. Revista interdisciplinaria sobre estudios latinoamericanos. Issue No. 9. Primavera 2011.
Forthcoming. Siu, Oriel María. Poesía. Revista Cultura (Secretaría de Cultura de la Presidencia de El Salvador). No. 110, 2013.
Siu, Oriel María. Poesía. Párrafo. Issue No. 10, 2011.
Siu, Oriel María. “Trozos e intento” (poema). Soldadera de amor. Pág. 28. Mujeres de maíz. Issue No. 9, 2011.
Siu, Oriel María. Poesía. Diario CoLatino. En sección “Trazos culturales”. San Salvador, El Salvador. 12 de septiembre, 2011.
Editor of Spanish sections in The Barbarian Nurseries, a novel by Héctor Tobar. London: CPI, 2011.
Editor of 2nd edition, Huellas de una lucha sin final, a novel by Oscar René Benítez. Los Ángeles: La Mancha Publishing, 2009.
Manlio Argueta Documentary Project. “Poetas y volcanes” Director: Carolina Rivera, May 2010.
CONFERENCE PRESENTATIONS and PUBLIC TALKS:
“Central American Enunciations from U.S. Zones of Indifference: On the Homo Sacer, the State of Exception, and Writing”. University of Puget Sound, January 2012.
Central Americans and the Latina/o Landscapes: New Configurations of Latina/o America. Presenting on: “Sobre la incompleta muerte en La diáspora de Horacio Castellanos Moya” February 22-25, 2012. UT Austin.
LASA Panel "La colonialidad del poder en
Centroamérica y los Andes". Ponencia: “Autodestrucción, discurso, colonialidad: Muerte y alcoholismo en Berlín años guanacos”. Panel presided by Arturo Arias. San Francisco May 2012.
“La novela de la diáspora centroamericana: Algunas anotaciones sobre los eternos Inmortales”. Los Ángeles Convention Center, MLA. Presided panel on “Central American Lives: Writings from the Diaspora”. January 2011.
“La novelística de la diáspora centroamericana y una rica Sopa de caracol: Colonialidad, risa y placer”. Conference on Transnationality in the Luso-Hispanic World. UCLA, April 2010.
“Criticism in the Borderlands, Decolonizing Academia” Conference. University of California, Berkeley 2006.
“Más allá de las remesas”. Presided and presented panel. Salvadoreños en el Mundo Congress, Los Angeles Convention Center, August 2007.
“Memoria, Arte y Literatura en la Diáspora Salvadoreña”. Salvadoreños en el Mundo Congress. San Salvador, El Salvador. November 2008.
PRESENTATIONS AS GUEST SPEAKER:
“Immigration in Tacoma/Pierce County: Realities, Resources, and Responses”. “On the Death of the American Dream and the Current State of Latino Immigration to the United States”. Immanuel Presbyterian Church, November 2012.
“Sílabas extrañas: Homenaje a Roque Dalton”. Centro de Desarrollo Cultural Centroamericano, Los Ángeles, May 2011.
“On Central American Literatures and Testimonies: An overview”. Pomona High School for the Chicana/o and Latino Studies Program. 2010.
“Pinceles y voces: Celebrando a la mujer centroamericana de Los Ángeles”, Lot 44 Art and Gallery Space in Downtown Los Ángeles, March 2010.
“Central American Poetics in Los Angeles”. UCLA, November 2010.
“Central American Women in Los Angeles: Contextualizing diaspora”. East Los Angeles Theatre Repertoire. Los Angeles, May 2010.
“Flight to Freedom: The Story of Central American Refugees in California” Rossana Perez’s Book Presentation. Central American Resource Center (CARECEN). Los Angeles, May 2008.
ACADEMIC CONFERENCES and PANELS ORGANIZED:
“Honduras después del golpe y su Refundación” University of California, Los Angeles, April 2010.
“Dislocated Writing: Luso-Hispanic Literature Beyond Borders”, University of California Los Angeles, April 2009.
Service to the University
SERVICE AT DEPARTMENTAL LEVEL:
Created and developed Latino Studies Minor program and curricula for the University of Puget Sound. Minor to become official in the Fall of 2013
Organizer, series of Latino Studies events:
Community & Interests
Advisory Board member, Centro Cultural Centroamericano Museum of Art and History of Central America MAHCA in Los Angeles
2007 – 2011:Board Member of the Center for Central American Cultural Development; Overseer of Historical Memory Committee for the Museum of Central American Memory in Los Angeles
2007– 2008: Teatro Lil Milagro Co-Founder/Performer
“Propserity”: Frida Kahlo Theatre, 2008. Directed by Carolina Rivera
“Vida y muerte de Monseñor Romero”: Los Ángeles, June-July 2008
2005 – 2006: KPFK Radio Co-Host and Program Co-Founder, Soul Rebel Radio
2002 – 2006: Organizer of youth educational delegations to various Latin American countries
1999 – 2004: TheCentral American United Student Association Co-Coordinator: Contributed to the creation of the first Central American Studies Program in the United States at California State University, Northridge. Organized a series of educational, cultural symposiums, and conferences for the Central American community in Los Angeles
Awards & Recognitions
2009 - 2010: Graduate Research Mentorship Fellowship Recipient, UCLA
2005 – 2007: Robla-Cota Fellowship Recipient, UC Berkeley
1999, 2000, 2001, 2002, 2003: Dean’s List CSU Northridge
2000: Barbara Ann Ward Scholarship Recipient CSU Northridge
1999, 2000: Hispanic Scholarship Fund Recipient, United States
Modern Language Association since 2006
Latin American Studies Association since2006
Native Spanish-speaker and fully fluent in English. Near-fluency in Portuguese and French