Gwynne Kuhner Brown, Associate Professor of Music History and Music Theory

Gwynne Brown

Gwynne Kuhner Brown is a musicologist, pianist, and mbira player with a special passion for American concert music of the 20th century. Her doctoral dissertation on George Gershwin's masterpiece, Porgy and Bess, led her to an ongoing investigation of the African-American musicians who were Gershwin's inspirations and contemporaries, including Eva Jessye and Hall Johnson. She is presently writing a book on the life and works of William Dawson (1899-1990): famed director of the Tuskegee Institute Choir, creator of widely admired arrangements of religious folk songs such as "Ezekiel Saw de Wheel" and "Balm in Gilead," and composer of the unjustly obscure Negro Folk Symphony. She has presented her scholarship at national meetings of the American Musicological Society and the Society for American Music. Her writing has been published in the Journal for the Society of American Music and in Blackness in Opera (University of Illinois Press, 2012).

"Having received an outstanding liberal arts education at Puget Sound myself, it's a joy to return and work with the engaged and inquisitive students here. In classes for music majors and non-majors alike, I value an approach to music that includes a variety of perspectives, including the aesthetic, historical, cultural, social, and analytical."

Gwynne Brown

Associate Professor

 

AREAS OF TEACHING
Music History
Music Theory
World Music

 

AREAS OF RESEARCH
William Dawson
African-American Spirituals
George Gershwin

 

EDUCATION
Bachelor of Music, Piano Performance, University of Puget Sound
Master of Music, Music Theory, Indiana University
Ph.D., Music History, University of Washington