In addition to their on-campus performances, the School of Music faculty has enjoyed a busy semester with numerous performances, presentations, adjudications, and other professional activities. Its affiliate faculty continue as members in professional ensembles throughout the region that include the Seattle Symphony, Seattle Opera, Tacoma Symphony, Pacific Northwest Ballet, Northwest Sinfonietta, and others. Here is a sampling of highlights from the Spring semester:
Distinguished Professor of Music History, Geoffrey Block, presented the keynote address for the international conference, Stagestruck! Broadway Meets Hollywood at the University of Sheffield, England, May 14-16. The title of the talk was “Restaging the Song: Adapting Broadway for the Silver Screen.” Dr. Block also completed a review of Drew Massey’s John Kirkpatrick, American Music, and the Printed Page in Music & Letters (Spring 2014).
Associate Professor of Music History, Gwynne Brown,gave a poster presentation in March at the national conference of the Society for American Music, meeting in Lancaster, Pennsylvania, and a paper at the African-American Music in World Culture conference at Boston University. Both were titled "The Great Satisfaction of Having Discovered a New World: William Dawson in Spain." In May she was the Artist in Residence at the Sitka (Alaska) Fine Arts Camp, where she gave two public talks (one on mbira, one on William Dawson), did four elementary classroom visits (mbira), gave private mbira lessons, and was interviewed on KCAW and for the Sitka Sentinel. Sitka poster
Affiliate Artist, Flute and Piccolo, Karla Flygare adjudicated the Seattle Flute Society's Young Artist Competition in April. Two finalists from New York and one from Seattle each played a final program before three judges. Karla also was one of three judges at the State Solo and Ensemble competition finals held in Ellensburg in April in the flute division.
Professor Duane Hulbert, piano, gave a solo recital at Central Washington University in Ellensburg, Washington in April.
Professor of Composition and Music Theory, Rob Hutchinson, hosted the Society of Composers, Inc., Region VIII Conference at the University of Puget Sound on March 7-8, 2014. At the conference, the chamber winds version his “House of Life” song cycle for mezzo-soprano and chamber wind ensemble was premiered by Dr. Dawn Padula and the Puget Sound Wind Ensemble, conducted by Director of Bands Dr. Gerard Morris. Hutchinson’s “Blues and Rhythm Changes” for clarinet and bassoon was performed on two concerts by the Third Rail Wind Trio of Oberlin College in Ohio in February. It also was released on Made in Tacoma, a CD by Erik Steighner, saxophone professor at Pacific Lutheran University. As a jazz bassist, Professor Hutchinson organized and performed in February with Tracy Knoop, Director of the University of Puget Sound Jazz Orchestra, and David Deacon-Joyner, Director of Jazz Studies at Pacific Lutheran University, in the University of Puget Sound’s “Evening of Classic Blues and Jazz,” part of Puget Sound’s celebration of Black History Month. Finally, the jazz-fusion quartet Velocity Hutchinson performs with released a self-titled album on iTunes and Amazon in March.
Professor of Music Education, Pat Kruger, contributed a chapter in The Oxford Handbook of Qualitative Research in Music Education (Oxford Press, 2014) that just came out.
Affiliate Artist Faculty, Clarinet, Jennifer Nelson performed Weber’s 2nd Clarinet Concerto with the Auburn Symphony on February 15 & 16. On March 9 played Beethoven’s trio, Op. 11 with the Onyx Trio at First Church in Seattle. The Trio Seraphin (Jennifer Nelson, clarinet, Christina Kowalski, soprano, and Keith Ward, piano) performed as part of the Maier Performance Hall Series in Port Angeles.
Director of Vocal Studies, Dawn Padula, hosted, in January, the annual Tahoma Chapter of NATS student adjudications for both high school and collegiate students at the Puget Sound School of Music-over 200 singers were in attendance. In March, Dr. Padula performed the works of seven different composers in collaboration with Keith Ward, Tanya Stambuk and student performers Clara Fuhrman ’16, Brandi Main ’16, Kimberly Thuman ’16, and Will Spengler ‘17 for the Society of Composer’s International Region VIII conference held on the Puget Sound campus. Dr. Padula was named to the faculty of the InterHarmony International Music Festival that takes place in Arcidosso, Province of Grossetto, Tuscany, Italy this July. During her time at the festival, she will teach lessons, coach chamber music and give master classes, as well as perform in faculty concerts.
The Puget Sound Piano Trio (Duane Hulbert, piano; Maria Sampen, violin; David Requiro, cello) gave two concerts and conducted master classes in March at the University of Oklahoma and Oklahoma State University. The trio also performed on KING-FM in Seattle in April. In addition to the broadcast on KING-FM on April 11, the recorded performance will be made available online and for distribution to Minnesota Public radio.
Cellist and the Cordelia Wikarski Miedel Artist in Residence David Requiro gave twenty-five performances in seven states (New York, Michigan, California, Washington, Massachusetts, North Carolina, and Vermont) as a concerto soloist, recitalist, or chamber musician. Some highlights: Mr. Requio performed with Concertante in Boston and Raleigh February 7 and 9. On February 12 through 16 he was a guest artist at the Menuhin Festival in San Francisco. As a member of the Jupiter Symphony Chamber Players he performed concerts on March 3, March 17, and April 7. On March 13 performed a recital with Solon Gordon both in Sun Valley and San Francisco on the San Francisco Performances Young Masters Series March 23. On April 12 performed Brahms double concerto with Itomar Zorman and the Ann Arbor Symphony.
Associate Professor Violin Maria Sampen has been concertizing actively. In February she performed in the IRIS Orchestra (Memphis, TN) and, on campus, was the soloist in Kurt Weill’s Violin Concerto (Gerard Morris, conductor). In March she appeared in numerous concerts at the Region VIII Society of Composers, Inc. Conference, and she was a judge for the Eastshore Orchestra 1 Festival in Bellevue, WA. In addition to her performances in the Puget Sound Trio in March and April, she performed at the Region V Society of Composers, Inc. conference at Western Michigan University, gave a solo recital in Yakima, Washington as part of the Second Sunday Recital Series, and was a judge for the Performing Arts Festival of the Eastside in Bellevue. This June she will be one of the resident artist in the Walla Walla (Washington) Chamber Music Festival.
Affiliate Artist, Trumpet, Judson Scott, led Brass Band Northwest in the premiere of "Elegy: Every Angel is Terrifying" by Boston composer, Kurt Leland in April.
Affiliate Artist, Saxophone, Fred Winkler, was a featured soloist with the Seattle Symphony in “Pictures at an Exhibition” by Mussorgsky/Ravel, the Western Washington University Wind Symphony performing “Bat out of Hell” by Paul Richards, and the Tacoma Youth Chorus performing for the ACDA Northwest Regional conference in Seattle. He also coached the Equus Saxophone Quartet to the national MTNA chamber music finals in Chicago.
Brandi Main '16, violin, will be attending the Icicle Creek Summer Chamber Music Institute in Leavenworth, Washington.
Kim Thuman '16, viola, will be attending the Hot Springs Music Festival in Arkansas June 1-14.
Georgia Martin '15, cello, will be working on staff at the Crowden Music Center's Scrape Squawk and Bang and Summer Strings Camps. Georgia will also be working the Summer Cellos! Camp directed by Cathy Allen.
Will Spengler '17, cello, has been accepted to the Meadowmount School for Strings and will be studying with Clive Greensmith.
Pianist, Glenna Toomey '15 is going to Brevard, premier summer music festival and music training program.
Vocal Performance majors John Lampus '15, Jordan Eade '15, and Keenan Brogdon '16 studying with Dawn Padula will be attending the Interharmony International Music Festival in Arcidosso, Tuscany, Italy this July. While there, they will study voice, Italian Diction, perform in chamber music groups, and participate in performances and master classes.
Forrest Walker was the 1st prize winner of the Thorbeck Scholarship Competition which will support his study at 2014 Max Aronoff Viola Institute Festival. Violist Kim Thuman and Melissa Meharg also where accepted.
Violinists, Sophia El-Wakil and Larissa Freier have both been accepted to the Brevard Music Festival (brevardmusic.org) in Brevard, North Carolina. The Festival is a 7-week summer program for advanced college musicians. Students come from every state and around the world to study and perform in the mountains of North Carolina. Both Sophia and Larissa will be attending the festival in summer of 2014.
Violinist, Clara Fuhrman has been accepted to the Montecito International Music Festival (www.montecitomusicfestival.com) in Santa Barbara, CA. Montecito is described as a festival for "highly gifted string, piano, flute and clarinet students." Clara will be receiving multiple lessons and coaching each week and performing in master classes and chamber ensembles.
Violinist, Zachary Hamilton has been accepted to the Summer Violin Institute at Northwestern University.
Faithlina Chan '16, cello, won the Young Artist Division of the Beatrice Herrmann Solo Competition on March 29. Faithlina will perform in the competition's Winners' Recital on May 17 at Broadway Center's Theatre on the Square.
Andrew Friedman ‘14 and Aidan Meacham ‘14 will be presenting papers at the Pacific Northwest chapter meeting of the American Musicological Society in Victoria, British Columbia this Saturday, March 29. Andrew’s paper is titled, "What’s That Sound? Orchestration and the African-American Folk Idiom in William Dawson’s Negro Folk Symphony." Aidan will be presenting on “Classical Samples in Rap: A Study.”
Many faculty and students will be performing in the Society of Composers Conference in early March. This is the second time in 4 years that the School of Music has hosted this conference.
As Series Editor of Oxford’s Broadway Legacies (2010-) Geoffrey Block, Distinguished Professor of Music History, recently wrote the series Foreword to Carol Oja’s Bernstein Meets Broadway: Collaborative Art in a Time of War, scheduled for publication this summer as the series’ seventh volume. This coming May Professor Block will be presenting the keynote address at the conference, Stagestruck! Broadway Meets Hollywood at the University of Sheffield. The title of the talk is “Refashioning Roberta into (perhaps) the First, and Thankfully No the Last, Successful Adaptation from Stage to Screen.”
Gwynne Brown, Associate Professor of Music History, will be presenting a poster at the national Meeting of the Society for American Music, and a paper at a conference at Boston University titled “African-American Music in World Culture: Art as Refuge and Strength in the Struggle for Freedom.” Both the poster and paper are titled “ ‘The Deep Satisfaction of Having Discovered a New World’: William Dawson in Spain.” In late April or early May she will be giving some mbira lectures and lessons at schools in Sitka, Alaska. During her sabbatical she will be writing her book on the life and work of William Dawson for the University of Illinois Press’s American Composers Series.
Director of Orchestra Huw Edwards will be conducting the Olympia Symphony Orchestra on February 9 and March 16. Puget Sound student, Brenda Miller, Piano Performance major, will be a featured soloist with the Olympia Symphony Orchestra, conducted by Mr. Edwards. He is also teaching a Music Appreciation and “Art of Listening” class at the South Puget Sound Community College in Olympia. In February he doing a rehearsal/Master class with the Portland Camerata. July 6-12 he will be the conductor for the newly-founded Stradivarius Orchestra at the Portland Chamber Music camp.
Karla Flygare, Affiliate Artist, Flute and Piccolo, will be performing J. S. Bach St. Matthew Passion with the Seattle Symphony on February 20-22. Karla along with Roger Burnett, Tim Christie, Jennifer Nelson, and Mark Williams will be performing Stravinsky Rite of Spring on March 14-22, Mendelssohn A Midsummer Night’s Dream on April 10-20, and Giselle Ballet on May 30-June 8 with the Pacific NW Ballet. In April Karla will be an adjudicator for the WIAA/WMEA State Solo and Ensemble contest in Ellensburg, WA.
Christina Kowalski, Affiliate Artist, Soprano, will be a featured soloist with the Olympia Symphony on February 9. She will be playing Rosalinde in Die Fledermaus at the Skagit Opera on February 28, March 2, March 7, and March 9. She also will be a featured soloist in Schubertiade—Die Schoene Muellerin in LaConner, WA on March 22 and in Semele—Semele by Haendel at the Pacific Music Works/University of Washington on May 18.
Pat Kruger, Professor of Music Education, is contributing a chapter in The Handbook of Qualitative Research in Music Education (Oxford, 2014). Currently she is serving on the editorial board of the Bulletin of the Council for Research in Music Education, and works with beginning K-12 teachers.
Director of Bands and Associate Professor of Music, Gerard Morris was the guest Clinician at the California Music Educators Association Bay Section Conference on January 10. The lecture title was “Creating Exceptional Learning Environments: The Artist-Teacher Perspective.” Also in January Prof. Morris was a guest Conductor at the University of Georgia “Janfest” Band Festival. On February 14 at the Capitol Theatre in Yakima he will be conducting the University of Puget Sound Wind Ensemble at the Washington Music Educators Association State Conference. Prof. Morris will be an Adjudicator at the High School Band Festival in Enumclaw and at the CMEA Large Group Festival in Tumwater in March and for the Con Brio Music Festival in Whistler in April. On April 6 Prof. Morris will be Lecturer for the Puget Sound Youth Wind Ensemble Directors Day.
Affiliate Artist Faculty, Clarinet, Jennifer Nelson will be performing Weber’s 2nd Clarinet Concerto with the Auburn Symphony February 15 & 16. On March 9 she will be playing Beethoven’s sweet Op. 11 with the Onyx Trio at First Church in Seattle. The Trio Seraphin (Jennifer Nelson, clarinet, Christina Kowalski, soprano, and Keith Ward, piano) will perform as part of the Maier Performance Hall Series in Port Angeles.
Joyce Ramee, Affiliate Artist, Viola, will direct, teach and perform at her 24th annual Max Aronoff Viola Institute Festival, June 27-20 at Bastyr University in Seattle. August 4-8, she has been invited to be viola specialist at the American String Teachers Association's Birch Bay Workshop in Bellingham giving mater classes and leading seminars.
Director of Strings and Associate Professor of Violin Maria Sampen will be performing with the IRIS Orchestra in Memphis, TN on February 22. On March 13 she will be a judge for Eastshore Orchestra 1 Festival in Bellevue, WA. The Puget Sound Piano Trio (Maria Sampen, violin, Duane Hulbert, piano, and David Requiro, cello) will be performing and holding a master class at both the University of Oklahoma in Norman, OK on March 26 and Oklahoma State University in Stillwater, OK on March 27. Professor Sampen will be performing on March 29 at the SCI Conference, Region V, Western Michigan University in Kalamazoo, MI. April 13 she has a solo recital in Yakima, WA, Second Sunday Recital Series at the Englewood Christian Church. She will be judging at the Performing Arts Festival of the Eastside in Bellevue, WA April 22, 23, 25, and 26. Walla Walla Chamber Music Festival is June 2-29, where Professor Sampen will be performing.
Tanya Stambuk, Professor of Piano, will be performing and giving master classes in New Westminster and Chilliwack BC in February. On March 28 the Finisterrra Trio (Tanya Stambuk, piano; Brittany Boulding, violin; Kevin Krentz, cello) will be performing on the Vashon Chamber Music Series. In April she'll be performing in Ontario and will be featured on the radio in Waterloo. May 18 Professor Stambuk will be performing in Palos Verdes, CA.
This spring three of Puget Sound Ensembles will preform at Professional Conferences. They include: WMEA, February 14 in Yakima and ACDA, March 13-16 in Seattle.
Brenda Miller '15, music major, won the 2014 Coeur d'Alene Symphony National Young Artist Competition in January. Brenda will be performing the Prokofiev Third Piano Concerto (1st mvt) with the Coeur d'Alene Symphony in March.
In Fall 2014 bassoonist Francine Peterson will be joining the School of Music faculty, succeeding Paul Rafanelli, who has been on the faculty since 1998. “Paul has done outstanding work over the past fifteen years,” says Keith Ward, Director of the School of Music. “I am grateful for his dedication to teaching and mentoring our students. He will be missed. With his departure, we could not be more fortunate to have Francine succeed him.”
Francine Peterson received a Bachelor of Music degree in Performance and Music Education from San Francisco State University and a Master of Music from the University of Washington. She is one of the most recognized bassoon teachers in the Pacific Northwest with students and chamber groups consistently placing or winning in the annual WMEA state solo competition. Other noteworthy accomplishments of her students include being a finalist in the Young Artist Competition of the International Double Reed Society, acceptance to summer music festivals such as Roundtop, National Repertory Orchestra, Blossom, Aspen, Eastern, Interlochen, and the Colorado Music Festival, and positions in the Oregon Symphony, Civic Orchestra of Chicago, Buffalo Philharmonic, Louisiana Philharmonic Orchestra, and the Santa Barbara Symphony. For more than twenty years she has been associated with the Seattle Youth Symphony, serving as its bassoon coach, an artist teacher in its summer Marrowstone Music Festival, and teaching in the Orchestra’s Endangered Instrument Program, which starts middle school children on the bassoon. She also has taught at the Vianden International Music Festival in Luxembourg and InterHamony International Music Festival in Italy.
In addition to her many accomplishments as a teacher, Peterson is in demand as a performer in the region. She is the principal bassoonist for the Northwest Sinfonietta, and she plays as an extra for the Seattle Symphony, Seattle Opera, 5th Avenue Theater, and, as contrabassoonist, the Pacific Northwest Ballet Orchestra and the Auburn Symphony.
“I'm really looking forward to joining the wonderful faculty at University of Puget Sound in the Fall of 2014,” says Peterson. “I have always respected their faculty and music department.”
The Adelphian Concert Choir released their newest CD, In Paradisum. Featuring music from 2011-13, the CD includes works by Bernstein, Chatman, Gabrieli, Sayre, and Whitacre, among others. In Paradisum and other Adelphian recordings are available for purchase at the University Bookstore.
As part of its annual faculty review process, the university recognizes faculty whose work is deemed exceptional through a series of awards. This year three School of Music faculty members were award recipients.
Geoffrey Block, Professor of Music History, was one of four faculty members to receive a Distinguished Professorship, the highest honor bestowed upon Puget Sound faculty. In her remarks recognizing him for this award, Dean Kristine Bartanen noted Professor Block earns the recognition of his colleagues as “the leading academic authority on the American musical.” Students, remarked Dean Bartanen, describe him as “the most inspiring teacher [they] have ever had at this school, in any department.” Professor Block is also praised for his generosity in advising students, whether for academic planning, theses, summer research, or theme house mentorship, and for the numerous contributions to the community that include a range of talks both on campus and in the greater Puget Sound region.
Gwynne Brown, Associate Professor of Music History, was presented with the President’s Excellence in Teaching Award. Established in 1997 by Hal and Jacque Eastman, this award recognizes faculty who demonstrate exceptional teaching skills independent of accomplishments in scholarship, research, or publication. The criteria for the award include a genuine passion for teaching, an ability to inspire students to learn, a capacity to challenge students and to motivate them through high expectations, a respect for students as individuals, and an enduring intellectual curiosity as well as the capacity for growth, change and vitality. Only one award is given annually. President Thomas described Professor Brown as exemplifying all these qualities as well as the “the innovative character of Puget Sound’s best teaching: building a strong community of learners in the face-to-face classroom; incorporating digital technologies; enriching her classroom with guests and fieldwork; and developing students’ talents through thorough, constructive feedback on their writing.”
David Requiro, cellist and the Cordelia Wikarski-Miedel Artist in Residence, was one of four recipients of the Thomas A. Davis Teaching Award. This honor, named after Thomas Davis, who served as Dean of the University from 1973 to 1994, recognizes selected faculty for teaching excellence. Mr. Requiro was singled out by Dean Bartanen for the breadth and depth of his teaching and mentorship of students, his ability to instill in them an inspiring balance of discipline for and love of musical performance, his emphasis on clarity in feedback to students, and by his impressive professional performance record that sustains the strength of his teaching.
Greg Simon '07 was interviewed in the July 21 Columbia Daily Tribune of Missouri about a composition he will premiere at the Mizzou International Composers Festival. www.columbiatribune.com/arts_life/ovation/composers-at-mu-festival-share-narratives-that-explain-and-emerge/article_1defc8b2-f0ca-11e2-8c6e-10604b9f6eda.html
School of Music faculty members returned to campus this Fall from productive summers. Some of the highlights:
Affiliate artists Rodger Burnett (horn), Karla Flygare (flute), Jennifer Nelson (clarinet), and Paul Rafanelli (bassoon) were members of the orchestra in the Seattle Opera’s three performances of Richard Wagner’s epic four-part music drama, Der Ring des Niebelungen.
Geoffrey Block, Distinguished Professor of Music History, wrote four publications in addition to continuing his research on composer Franz Schubert. His essay, “Kurt Weill’s Johnny Johnson,” will appear in the Kurt Weill Newsletter 31/1 (Spring 2013). Two reviews are forthcoming, one of Stuart J. Hecht’s book, Transposing Broadway: Jews, Assimilation, and the American Musical, in H-Judaic, H-Net Reviews (June 2013), the other a review of Howard Pollack’s book, Marc Blitzstein: His Life and Work, to be published in Notes (November 2013). An article, “From Screen to Stage: Transforming Smiles of a Summer Night and Passione d’Amore,” will appear in The Oxford Handbook of Sondheim Sturdies, ed. by Robert Gordon (Oxford University Press, forthcoming in fall 2013 or spring 2014). Finally, Professor Block was elected to a three-year term on the Council of the American Musicological Society (2014-16).
Gwynne Brown, Associate Professor of Music History, served on the Wiley Housewright Dissertation Award Committee for the Society for American Music. Other time was spent on the book she is writing on the life and work of William L. Dawson, to be published by the University of Illinois Press. She also had a poster session accepted for the national meeting of the Society for American Music, to be held in Lancaster, PA in March 2014, on the tour of Spain undertaken in 1956 by African-American choral director and composer William L. Dawson.
In May, Huw Edwards, Director of Orchestras and a noted champion of the music of Anton Bruckner, was a guest clinician with the Portland Youth Conservatory Orchestra and worked on Bruckner’s Symphony No. 7. He was also a guest conductor at the Portland Chamber Music Camp in July, held at the University of Portland. Mr. Edwards conducted the Olympia Symphony Orchestra in the Governor’s Capitol Campus Concert, by the Capitol Dome, on July 28, before 3,000 people. In August he recorded some “performer insights” at Classical King FM radio in Seattle, to be aired throughout the year. In September he travels to Knoxville where he will be a guest conductor with the University of Tennessee Symphony Orchestra and will also be a guest lecturer in a music history and conducting class.
Pat Krueger, Professor of Music Education, completed a book chapter, "Doing Ethnography in Music Education," in Colleen Conway (ed.), Qualitative Research in Music Education. New York: Oxford, (in press, Dec. 2013). She also worked on the editorial board of The Bulletin for the Council of Research in Music Education, and read and commented on several articles for this publication.
Gerard Morris, Director of Bands and Assistant Professor of Music, completed his Doctor of Music degree at Northwestern, defending his dissertation that focused on the Concerto for Violin and Wind Orchestra by Kurt Weill. He also completed research on music which he will conduct in October at a concert of contemporary music at Iowa State University. Part of his visit to ISU will include completion of a recording of a composition featuring international percussion artist Matthew Coley.
Dawn Padula, Director of Vocal Studies and Associate Professor of Voice, gave a solo concert in London, England, entitled "The House of Life and Love" as part of The Song in the City concert series in the Hall of St. Botolph-without-Bishopsgate Church. She collaborated with Puget Sound alumna Soojeong Joo '05, piano, now at Guildhall School of Music and Drama, performing Libby Larsen's Love After 1950, in addition to two cycles entitled The House of Life, one by Ralph Vaughan Williams and the other a world premiere composed for her by Robert Hutchinson, Professor of Theory and Composition.
Joyce Ramee, Affiliate Artist in Viola, directed and performed at the 23rd Max Aronoff Viola Institute Festival and Concerts, one of which featured affiliate artist Rodger Burnett, horn. Her Cathedral Trio (viola, flute, and harp) gave two concerts, one featuring Gwynna, a composition by David Volpe in which the harpist also sings, the flutist additionally plays rain stick and finger cymbals, and the violist serves as a Mark-Tree percussionist.
Maria Sampen, Director of Strings and Associate Professor of Violin, and Tim Christie, Affiliate Artist in Violin, performed at the Walla Walla Chamber Music Festival from June 4-30. Mr. Christie is also the founder and artistic director of the festival. In May, they performed at the Icicle Creek Music Center as part of the Icicle Chamber Players and in July as part of the Noon Recital Series at Tacoma's First Lutheran Church. Professor Sampen also gave a duo recital (violin and cello) at Kerrytown Concert House in Ann Arbor, Michigan in July.
Staff Accompanist Denes Van Parys spent his summer running the Music Program at Camp Starlight, where 550 teenagers in the program presented five shows in six weeks. He has worked at Camp Starlight since 1994. This Fall he will be active as both Chorus Master in two productions and one as conductor for the Tacoma Opera.
Keith Ward, Director of the School of Music, continued his service as a commissioner on the Commission on Accreditation for the National Association of Schools of Music. He also continued his work from his sabbatical in Spring 2013 on American music.
Fred Winkler, Affiliate Artist in Saxophone performed with the Seattle Symphony in On the Waterfront (Leonard Bernstein) and Bolero (Maurice Ravel). He joined the Northwest Sinfonietta's in a recording session in a composition by pianist Joel Fan, and he will be featured in an upcoming by saxophonist and Puget Sound alumnus Erik Steighner ’03. He was a guest clinician for Mountlake Terrace High School summer camp, and he performed with the Coeur d'Alene Summer Theater.
Pat Wooster, Affiliate Artist in Harp, served as the Chairman of the Corporation and Board of Directors of the World Harp Congress, Inc. and had a major role in planning both the 12th World Harp Congress, to be held in Sydney, Australia, in July 2014, and the 13th in Hong Kong in July 2017. In June of this year Pat attended the American Harp Society Summer Institute in Los Angeles where in June, she is the Chairman of the Nominating Committee. In July she was a Guest of Honor at the USA International Harp Competitin, held at Indiana University's Jacobs School of Music.
Steven Zopfi, Director of Choral Activities, was hired to be the guest conductor for the Archdiocese of Seattle's Annual Choral Festival to be held on February 9th and 10th. The festival involves over 750 high school singers from Catholic High schools in the Seattle area and culminates in a public performance in Benaroya Hall on the 10th.
Puget Sound faculty lead active performance careers. Below is a partial list of their performances in October through December:
Affiliate Artist Faculty, Violin, Timothy Christie visits the islands and the mountains during Fall 2013 with performances at the Icicle Creek Center for the Arts Chamber Music Series in Leavenworth, Washington October 18 and November 23. Timothy will perform with the Seattle's Tudor Choir December 28.
Huw Edwards, Director of Orchestra, will be conducting the Olympia Symphony Orchestra on October 6 and November 10.
Julio Elizalde, Visiting Assistant Professor, will be performing with cellist Bonnie Hampton at the San Francisco Conservatory of Music on October 13. He will also be doing tour recitals with violinist Ray Chen, winner of the 2009 Queen Elisabeth Competition in Belgium, in Wilmington, North Carolina, Charlottesville, Virginia, Greenwood, South Carolina, Oxford, Ohio, and Santa Barbara, California
Director of Bands and Assistant Professor of Music, Gerard Morris, will appear as a guest artist in residence at Iowa State University from October 20-26. During his residency, Morris will also appear as guest conductor with the ISU faculty.
Dawn Padula, Director of Vocal Studies, will be performing the role of Ruth in Gilbert and Sullivan's The Pirates of Penzance with Tacoma Opera, October 25 and 27. In addition, she will perform a solo concert with Denes Van Parys, piano, for the Classical Tuesdays in Old Town on December 10th.
David Requiro, cellist and the Cordelia Wikarski Miedel Artist in Residence, will perform on October 5 & 6 with the Baumer String Quartet for the MasterGuild series of Holy Names College in Oakland, California and the Sundays@4 series at the Crowden Music Center in Berkeley. He also will be giving a master class at the Crowden School. From October 26 through November 3 he will be on tour with a cello quartet performing in Connecticut and South Carolina. As a member of the Jupiter Symphony Chamber Players he will be giving concerts in New York City on November 11 and December 9.
On October 18, Maria Sampen, Director of Strings and Associate Professor of Violin, will be performing at Bowling Green State University New Music and Art Festival in Ohio. David Requiro, cellist and Tim Christie, Violinist, will be joining Dr. Sampen on November 12 at the Classical Tuesdays in Old Town. On November 23 in Leavenworth, Washington, she will be performing with the Icicle Creek Chamber Players.
Tanya Stambuk, Professor of Piano, will be a featured soloist with the Olympia Symphony Orchestra, conducted by Huw Edwards, on November 10. Tanya will be performing at Seattle University on December 6 & 7. On December 16 she and Dr. Sampan will be performing at a fundraiser for the Tacoma Symphony.
Trio Searphin (Jennifer Nelson, clarinet, Christina Kowalski, soprano, and Keith Ward, piano) will perform at the Second City Chamber Series, October 11 at Annie Wright School in Tacoma. They will also perform at the Horizon House in Seattle on November 6.
Patricia Wooster, harpist will perform at the 2013 SAI NW Province Day in Seattle, on October 5, 2013. Thursday, December 5, Patricia will present a two hour lecture/performance titled “The Harp-From hunter’s bow to concert hall”, for the LIFE organization, based at Pacific Lutheran University.
In addition to these events, many faculty perform in professional ensembles that include the Seattle Symphony Orchestra, Seattle Opera, Pacific Northwest Ballet, Tacoma Symphony Orchestra, Northwest Sinfonietta, Olympia Symphony Orchestra, and Auburn Symphony Orchestra.